A Good Year- has always been a favorite of mine.Through out the movie, Freddie Highmore simply shines. Albert Finney actually caught my interest too.
I think Freddie Highmore and Albert Finney worked wonderful in A Good Year. The great supporting cast includes Freddie Highmore, Albert Finney, Russell Crowe, Rafe Spall, Archie Panjabi.
If you are a true like A Good Year, you will want to add this movie to your collection.
I left some information, immages, and video previews of A Good Year below.
Summary of A Good Year: Max Skinner (Russell Crowe) is a highly successful investment expert with no time for life outside work. When his estranged uncle dies, Max inherits the vineyard in France where he grew up as a child, and his first intention is to sell the vineyard as qui
I really loved the movie The Unbelievable Truth. I really enjoyed watching Adrienne Shelly in this movie. I also think Robert John Burke was great!
I think Adrienne Shelly and Robert John Burke worked wonderful in The Unbelievable Truth. The great supporting cast includes Adrienne Shelly, Robert John Burke, Chris Cooke, Julia McNeal, Katherine Mayfield.
I left some information, immages, and video previews of The Unbelievable Truth below.
Summary of The Unbelievable Truth: The films of Hal Hartley, New York's modern beatnik cinema laureate, are not for everyone. His self-consciously clever ping-pong dialogue sounds like a cross between song lyrics and Samuel Beckett, while his deadpan direction gives a wry cast to it all. It's romantic comedy skewed through a thoroughly modern perspective, and it sprung fully formed in his debut feature. Gloomy redheaded pixie Adrienne Shelly, a neurotic high school student fixated on doomsday scenarios, falls for the tall, dark, and mysterious Robert Burke, a black-clad, philosophy-spouting mechanic who is constantly mistaken for a priest and rumored to be a convicted murderer.
An enigmatic, intellectually playful farce played with ironic understatement, Hartley's austere film was shot on the cheap with a handsome, restrained style and directed with an approach straddling verbal slapstick and modernist irony. Shelly mixes the goofy, obsessive distractions of a screwball heroine with smarts, determination, and hardball negotiating skills, while Burke's quiet calm and confidence radiates warmth and sincerity even while playing the loner. Hartley explores the line between truth and rumor, and he takes satirical swipes at the culture of cash and contracts--yet for all his irony he remains an optimist. For all its hip '90s attitude, the unbelievable truth is that Hartley is a romantic at heart. --Sean Axmaker
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